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[From Issues : Public Arts (www.newsaic.com)]

This is what I was talking about, for those that don’t bother to read the actual post (and just other’s reactions to it). The treatment of art (music, film, painting, fine arts, et al) in this country has been abysmal and I find that sad. I find it sad as someone that worked as an artist, sought funding, got funding through Canada for a project I was on, or even the government of Slovenia for another. But never from the US.

What my post was about, and what I actual told Mahalo as well, is that I don’t think the debate around HOW to monetize cultural artifacts is the answer, that to find an answer we have to look back to how we value art itself.

That means how we value paintings, digital art, conceptual, installation, photography and film. And yes, Music. And yes, both good and bad music. The worst of a medium is sometimes the fuel for the best of art in another medium (witness Andy Warhol, Yoko Ono, Marcel Duchamp, Rauchenberg)

My point is: how can we really debate the value of music or movies or photography, how compensation works, etc when we can’t, since 1989 when the NEA fell apart, figure out how to make art viable as a commercial practice and how to value and support it as a part of the fabric of a functioning society?

Both high and low art.

Commercial and non-commercial.

Art and art.

Here’s some more stuff to actually read (and not just react to):

The Artists and the Artocrats

About the NEA debate

An Artist to Plead for Art (from Time)

Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction”

Jean Baudrillard’s “Simulacra and Simulation

My artist bio from school.

One Response to “NEA and Piss Christ”
Jadielady on April 12th, 2008 at 7:55 pm

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Its funny, but there’s a similar debate in the knitting world. Creative people come up with patterns and can opt to either sell them, or distribute them freely. Say they don’t mind if people turn around and sell the item made with the pattern, or they do mind.
And how much to charge for a pattern if it isn’t for free.
Similar problems with knitted items.
The thing is, if people don’t value their own work, how do they expect anyone else to?

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